AdVANture Art!
From finding your core colors to picking secret hiding spots for supplies, Lisa Spangler shares her tips for bringing art on the road, full-time or for a trip!
By Lisa Spangler
Hello hello, and welcome to my traveling art studio! Let me give you a tour of my setup, and take you on an adventure — no, make that an advanture!
But first, a little backstory: in May of 2024, my husband and I sold our house to travel full-time in a converted camper van we’ve named Walter. We designed the van ourselves, so I was able to add a shelf under the bed to store full sheets of watercolor paper that I can tear to whatever size I need. I have art supplies stashed here and there throughout the van, so there’s no barrier to making time for art — and you can apply these same principles whether you live in a van, a boat, or in a house!
Before I show you all my secret hiding places for art supplies, I thought I’d share my biggest supply tip: find your core colors.
Find Your Core Colors
It took me a while to find my core colors, but once I did, it made things so much simpler. One easy way to find your core colors is to look at your palette and see which ones you have to refill most often. Another is to take some time to play with triads and find mixes that work for you.
I do mostly botanical paintings, nature sketches, and landscapes, so my colors may not work for you, but it’s always fun to see what other artists use, right?
Here are the colors (Daniel Smith unless otherwise noted) I just can’t live without—I have them on every palette:
Azo Yellow (PY151) - A beautiful transparent yellow.
Quinacridone Coral (PR209) - This is my warm red. I love it for sunsets and florals.
Quinacridone Lilac (PR122) or Quinacridone Rose (PV19) - I also use Winsor and Newton's Quinacridone Magenta (PR122), which has the same pigment number and is pretty much the same as the Daniel Smith Quinacridone Lilac. Also, I’ve had some issues with Quinacridone Rose acting up in hot temperatures, so I’ve been replacing it with lilac or magenta on all of my palettes as a work-around.
Cobalt Teal Blue (PG50) - I love this granulating color so much. It makes beautiful skies mixed with Ultramarine, bright greens, and opaque purples.
Ultramarine Blue (PB29) - My workhorse blue. It mixes more olive greens and the best purples with magenta.
Transparent Red Oxide (PR101) - I love this granulating color mixed with Ultramarine Blue or Indigo to make deep dark browns and greys.
Indigo (PB60 + PBk6) or Neutral Tint (PBk6, PV19, PB15) — Maria always says to make your darks DARK, and you can’t go wrong with either of these!
Then, if I have more room, I add some bonus colors. If it’s a mixing palette, I like to add Chinese White (PW4), Phthalo Green (blue shade) (PG7), Hansa Yellow Deep, and Phthalo Blue (green shade) (PB15). If it’s a palette for convenience, then I’ll add Yellow Ochre (PY43), Chromium Green Oxide (PG17), Quinacridone Burnt Scarlet (PR206), and Cerulean Blue (PB35).
I keep tubes of paint to refill my palettes under the kitchen sink — I’ve found this to be a great zone that doesn’t have too many temperature swings. My husband laughs that I have art supplies hidden everywhere. I even have bottles of ink hidden in the drawer where we keep our bowls and plates!
Have Your Supplies Handy
This is the golden rule for getting some painting time in, and it can apply no matter where you live! I have four secret hiding places for art supplies in the van.
My Secret Hiding Places for Art Supplies
#1 My Fanny Pack
Now that we’re traveling full-time, I’ve started using a fanny pack instead of a purse, and I’m really loving it! I use it for town days and also take it on little hikes. I have a tiny art kit in there, of course!
Waterproof pouch by Chicken Tramper Gear
#2 Under the Passenger Seat
I keep a Pocket Art Toolkit under the passenger seat so I can sketch on long driving days. I kept things super simple in this one and usually just do pen and ink sketches. Note: don’t sketch and drive y’all!
I like to stick to black and white for these sketches to keep it simple and have Large Mixing Pans filled with Daniel Smith Graphite and Lunar Black—fun!
I love having this one handy to grab when we head to visitor centers at National Parks so I can get my sketchbook stamped as a keepsake!
#3 My Daypack
My daypack has a little sketch kit in a shoulder strap pouch so that I always have supplies with me — it’s super handy to stop and do a sketch or a nature spot when I’m hiking down the trail—blog post here for inspiration! I move this kit over to my backpack for backpacking trips.
Sometimes, I throw my fanny pack setup in my daypack, or if we’re doing an easy hike to a sketch destination, I’ll bring along a waterproof pouch filled with a Pocket Palette and a bigger sketchbook or loose sheets of Arches watercolor paper and a Coroplast support board.
#4 Cozy Camp Setup
I like to use this one when we’re in camp. If it’s a rainy day or there’s no shade, I take over the kitchenette! If it’s nice out, I sketch outside at a camp/picnic table.
Duotone Desert A5 Art Toolkit and a Folio Palette that I use with BIG brushes — see if you can spot the brush hairs in the photo!
Check out what I have in my Duotone Desert A5 Art Toolkit here in this blog post.
#5 Bonus Supplies for Fun!
I have a Royal Blue A5 Art Toolkit filled with bonus supplies that are just for fun!
This is where I keep the Triad Palette and Triad Template, a collaboration project that I did with Art Toolkit and paintmaker Letter Sparrow, released in June, 2024! I like to dream up new triads that reflect the “palette of place” where we’re camped.
I also have my Cactus Palette collab with Letter Sparrow from last summer in this Art Toolkit and love to use it when we’re in the desert!
Hope this inspired you and gave you some ideas for keeping your art supplies handy to take on adventures. Just let me know if you have any questions or want to nerd out over colors!
— Lisa
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All photos courtesy of Lisa Spangler.